Best Underwater Cameras – 2021
As divers and underwater photographers ourselves, we at Mozaik Underwater Cameras understand the difficulty of choice.
With so many great cameras out there, which type of underwater camera is best for you – compact / mirrorless / DSLR? And which camera model is right for you?
In this in-depth article, we’ve put together a thorough list of the best underwater cameras available in 2021 in all categories, as well as detailed the top features you have to consider when selecting your underwater camera.
We hope you find this information helpful, and in case any questions arise, we’re always here to help!
This article was co-written by Ran Mor and Brandi Mueller and updated by Tal Mor. We’ll keep updating the article as new models are released or discontinued. Last updated February 2021.
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Entry Level Compacts (Camera+Housing Below $899)
Olympus TG-6 | Canon G9X II | Canon G7X II
High-end Compacts (Camera+Housing $900-$1500)
Sony RX100 Mark VII | Panasonic LX 10 | Canon G7X Mark III
Cropped Sensor Mirrorless Cameras
Sony A6600 | Panasonic GH5 | Olympus E-M1 Mark III
Full Frame Mirrorless Cameras
Sony A7R IV | Nikon Z6/Z7/Z6 II/Z7 II | Canon EOS R5
Cropped and Full-Frame DSLR
Nikon D850 | Canon 5D IV | Canon EOS 250D / Rebel SL3
In many ways, compact cameras are an ideal choice for underwater photography.
As divers, we all know how difficult it is to carry all this gear, especially when traveling to remote locations. Size is a huge consideration! Since external housing is needed and is usually 2-3 times larger than the camera itself, you want the camera to be as small as possible, to begin with.
A few years back, getting a compact camera was a major compromise on quality, compared to higher-end DSLR’s. However, these days, technology has advanced so much, that compact cameras are extremely capable and produce stunning image quality, which can be used even for commercial purposes, large prints and photo contests.
When choosing a compact camera for underwater use, these are the top features you should consider:
The Olympus TG-6 is an incredible imaging tool. This camera is still the best selling compact camera for underwater photography as of Feb 21, 2021. Built with adventure seekers in mind, it’s shockproof, freezeproof, waterproof (to 45ft without the housing), dustproof and basically lifeproof. It was only natural that divers would adopt it as the go-to camera to document their adventures. Olympus has always targeted its Tough series towards divers by producing their own underwater housings to increase the depth limit and allow external accessories to be mounted such as lenses and lights.
The TG-6 is the most recent in the popular series and like its predecessors, it has become incredibly popular among underwater photographers.
Sensor | 12 MP 1/2.33″ inch |
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Lens | 25mm – 100mm , F2.0 – F4.9 |
Video | 4K (30fps), 1080p (120fps) |
Minimum Focus Distance | Standard – 10cm, Super Macro: 1cm – 30cm |
ISO | 100 – 12800 |
Burst Shooting | Up to 20fps |
Special Features | Lifeproof, Microscope mode, Field Sensor System (GPS, Temperature and more), HDR |
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Canon’s entry level compact – the G9X II is a fantastic choice for beginners and advanced users alike. The simple interface relies mostly on the camera’s touch screen, but with proper initial settings you can control everything you need inside a housing as well without compromising on ease of use.
The G9XII features Canon’s 1″ sensor, so image quality is at par with its bigger brothers from the G series, but the price tag is much more affordable, and most users don’t need the advanced features on the pricier cameras.
The major compromise compared to the G7X or G5X series, is the lens on the G9X II which isn’t as sharp.
Sensor | 20 MP / 1″ inch BSI-CMOS |
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Lens | 28mm – 84mm , F2.0 – F4.9 |
Video | 1080p (60fps) |
Minimum Focus Distance | 5 cm (1.97″) |
ISO | 125 – 12800 |
Burst Shooting | Up to 8.1fps |
Special Features | Control all settings via touchscreen |
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The previous model of Canon’s top selling compact, the G7x II, is still in the market and being sold at an incredible price which puts it in our entry level category.
The G7X II is a fantastic choice for beginners and advanced users alike.
The G7XII features Canon’s 1″ sensor, so image quality is at par with its bigger brothers from the G series, but the price tag is much more affordable since this is an older model. The difference is basically only the lack of 4K video support.
Sensor | 20.2 MP / 1″ inch CMOS |
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Lens | 24mm – 100mm , F1.8 – F2.8 |
Video | 1080p (up to 60fps) |
Minimum Focus Distance | Standard – 5cm – infinity, Macro: 5cm – 50cm |
ISO | 125 – 12800 |
Burst Shooting | Up to 30fps (RAW only) |
Special Features | Live streaming to YouTube |
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The Sony RX100 Mark VII is the newest addition to the world’s leading compact camera series – the RX100’s. It’s safe to say that to date, the Sony RX100 series is the leading choice for compact shooters underwater.
With the Sony RX100 VI, Sony ventured into the world of ultra zoom compacts, by modifying the lens on the RX100 VI to 24-200mm, significantly more than its predecessor with the 24-70mm lens. The same lens was carried on to the RX100 VII. For underwater photographers, this is both a curse and a blessing – on one hand, you get more zoom to play around with, and utilize it for increased working distance and more magnification when shooting macro. On the other hand, housing manufacturers have a harder time supporting it, and compromises like interchangeable ports need to be made, in order to properly support the full range of the zoom.
Using it for macro can be challenging but very rewarding and you may require different diopters for different types of shots.
Sensor | 20.1 MP / 1″ inch Exmor RS CMOS |
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Lens | 24mm – 200mm ,F2.8-F4.5 |
Video | 4K with full pixel readout (30fps), 1080p (120fps) |
Minimum Focus Distance | 8 cm / 0.27 ft |
ISO | 64 – 25600 |
Burst Shooting | Up to 90fps (WOW!) |
Special Features | Microphone input, 1/32000 sec max shutter speed, S-Log2, S-Log3 and HLG profiles |
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The Panasonic LX10 is a more affordable competitor for the Canon G7X II and the Sony RX100 V / VI.
Panasonic did a great job with this model, packing excellent features into this compact camera, without compromising on image quality. The LX10 produces stunning 20MP stills and 4K videos. Actually, video is where it really shines. Panasonic have plenty of experience with video from their popular GH4 and GH5 cameras and they have integrated that experience and some great advanced features, into the LX10. Zebra striping and focus peaking are available and incredible useful for videographers.
The LX10 is the only compact we know that offers back focus AF – a feature usually found in DSLR’s or mirrorless cameras and very useful for composing shots properly in-camera.
A significant advantage is has over the Canon and Sony alternatives, is accurate and easy white balance, even at deeper depths.
Sensor | 20.1 MP / 1″ inch High Sensitivity MOS sensor |
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Lens | 24mm – 72mm , F2.0 – F4.9 |
Video | 4K (30fps), 1080p (120fps) |
Minimum Focus Distance | Standard – 30cm, Macro – 3cm |
ISO | 80 – 25600 |
Burst Shooting | Up to 10fps |
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The Canon G7X III is Canon’s newest addition to their popular G series. This time around Canon is targeting vloggers, so they’ve significantly improved video capabilities and added an external mic jack, as well as the option to live stream your video to YouTube. While we probably won’t be using the mic jack underwater, or broadcasting ourselves live from 100ft, the 4K video makes this upgrade worthwhile!
The new Canon also supports a mindblowing 30fps RAW burst shooting, to ensure you nail fast action shot. It can also shoot HDR (High Dynamic Range) video.
Important note – when first released the G7X III had some issues with Auto Focus. You may encounter some online reviews mentioning this. However, Canon quickly released a firmware update which rectified those issues and the auto focus is now lighting fast and accurate. An even newer update released on Dec 12 allows you to capture videos at 24fps which has a more cinematic look.
Sensor | 20.2 MP / 1″ inch CMOS |
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Lens | 24mm – 100mm , F1.8 – F2.8 |
Video | 4K (30fps), 1080p (up to 120fps) |
Minimum Focus Distance | Standard – 5cm – infinity, Macro: 5cm – 50cm |
ISO | 125 – 12800 |
Burst Shooting | Up to 30fps (RAW only) |
Special Features | Live streaming to YouTube |
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Mirrorless cameras have taken the underwater world by a storm. Gone are the days when you had to carry a massive rig to get professional quality and interchangeable lenses. Mirrorless cameras nail it when considering the requirements of the avid UW photographer.
Many underwater photographers today believe that mirrorless is the best type of underwater camera.
Divers who are looking for a more professional kit than your average compact, with control over their optics and the ability to change ports according to different shooting types, would be wise to consider a mirrorless before opting for a bulky DSLR.
The advantage is clear – A mirrorless rig weights about half and takes up much less space in your already overloaded baggage when traveling.
When looking into a mirrorless setup, the important things to consider are:
The Sony a6600 is a great option for flexibility. The small size and light weight feels like a compact, but its exceptional performance shoots like a dSLR. Shooters have the ability to keep it simple and small with easy to use auto functions and just a single lens; or expand its capabilities by shooting in manual and adding other lenses and accessories. Even underwater it can be set up as a simple underwater rig or with many lenses and ports, wet mount lenses, and strobes fired by slave or sync, etc. Not only will Sony lenses work on this camera, but with an adapter you can use Canon mount lenses including the underwater photographer favorite, the Tokina 10-17mm fisheye.
The 24MP camera can shoot 4K video and particularly shines when shooting macro underwater and focus peaking makes it easy to confirm focus on the 3” screen or optical viewfinder by showing areas in focus as a color. Improvements from the a6300 include 5 axis in-body image stabilization, improved autofocus and burst shooting, and a touchscreen LCD. One downside from the a6300/a6500 is that the built in flash was removed.
Sensor | CMOS APS-C 23.5 x 5.6 mm), 24 megapixels |
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Lens Mount | Sony E-Mount |
Video | 4K (30fps) |
Weight | 453g with batteries |
ISO | Auto, 100-32000 (expandable to 102400) |
Burst Shooting | 11fps in RAW with 100 shot buffer |
Special Features | Weather-sealed magnesium-alloy body. 5 axis in-body image stabilization. |
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For underwater shooters with a passion for both videography and still images, the Panasonic GH5 is one of the best for video. It is one of the few cameras using the full width of sensor for 4K and currently the only shooting 4K 60p with plenty of options for bit rate, color space, frame rate and bit depth. Its improved white balance functions make it one of the most accurate mirrorless cameras for white balancing underwater without the use of filters.
Upgrade from GH4, the GH5 has improved the video overall, but also better low light performance, improved white balance functions and 5-axis stabilization. The camera also has focus peaking which confirms focus by outlining in color areas in focus and other exposure aids like zebra striping, vector scope and waveform display. The GH5 also has several custom function buttons which are great for underwater shooters.
Sensor | CMOS, 20.3 megapixels |
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Lens Mount | Micro Four Thirds |
Video | 4K (60fps) |
Weight | 725g with batteries |
ISO | Auto, 200-25600 (expandable to 25600) |
Burst Shooting | 12fps in RAW with 100 shot buffer |
Special Features | Magnesium alloy body, environmentally sealed, 5-axis stabilization |
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The Olympus E-M1 Mark III is Olympus’s top consumer mirrorless camera, highly customizable, packed with pro features mirrorless camera. It has a large 3″ LCD screen making images easy to view underwater. The Mark III has improved Auto Focus and AF tracking, improved image stabilization (5.5EV, compared to 4EV on the E-M1), completely revamped video mode with higher 4K resolution, faster frame rates, and it comes with an accessory flash allowing for strobe triggering both electrically and slave. Many lens options are available as well as wet mount lens.
The camera also features a brand new image sensor TruePic IX. At 20 megapixel, this camera also has to possibility to create composite images up to 50MP by capturing multiple frames through pixel shifting the sensor. This is great to make super high resolution images, although in order for it to work underwater there can be no motion, so a tripod may be necessary for sharp images. Focus peaking mode will show which parts of an image are in focus using color lines.
Sensor | 20.4 Megapixel Live MOS |
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Lens Mount | Micro Four Thirds |
Video | 4K/30p |
Weight | 574g with batteries |
ISO | Auto, 64-25600 |
Burst Shooting | 60fps (electronic shutter), 15fps (mechanical shutter) |
Special Features | Dust, splash and freeze proof, improved 5-axis stabilization, Bluetooth support |
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The Sony A7R IV is a full frame mirrorless camera that while still smaller and lightweight competes with larger dSLRs when it comes to image and video quality. The A7R IV’s sensor is a giant leap from the A7R III, boasting 61MP back illuminated full frame sensor. The means incredible image quality, unmatched dynamic range and superb low light capabilities. Autofocus speed and accuracy have improved over previous models, particularly in low light. The camera has room for two memory cards and battery life has improved.
The A7R IV is a top performer for video as well, shooting 30fps 4K which is initially sampled from 6K as opposed to 5K on the predecessor. This means better quality video overall. It also utilizes AI technology for subject recognition as well as Real-Time Eye AF ensuring that every subject you shoot is tack sharp and focused on the eyes.
This camera is great for the underwater shooter because it has lots of customizable buttons, focus peaking in manual focus mode shows focused areas highlighted with color to guarantee image focus. White balance has improved from the previous model and is better than most other mirrorless cameras, although it still isn’t perfect for blue water. The pixel shift feature lets image makers create super high res composite images, however, while taking the images the camera must be completely still (like on a tripod) for it to work. The A7RIV competes with dSLRs for quality but in a smaller package.
Sensor | BSI-CMOS, 42 megapixels |
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Lens | Sony E-Mount |
Video | 4K (30fps) |
Weight | 657g |
ISO | Auto, 100-32000 (expandable to 50-102400) |
Burst Shooting | 10fps in Raw with a 76 image buffer |
Special Features | Environmentally sealed, 5-axis stabilization |
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Nikon’s first full-frame mirrorless cameras, the Z6 and Z7 do not disappoint. The Z6 is a 25 megapixel camera and the Z7 is 46mp. Consistently compared against the dSLR, Nikon d850; this camera comes close to producing comparable images and some of the best results from any mirrorless camera. The autofocus is fast and accurate (and although still slower than a dSLR, one of the best when compared to other mirrorless cameras.) The Z mount for lenses allows for the use of Z mount lenses and there is an adapter to use F mount lenses (Nikon.)
This mirrorless has an improved electronic viewfinder than other mirrorless cameras which often lack dynamic range and detail, which leaves a photographer uncertain of the final image when reviewing underwater. You can also review playback images in the viewfinder, so you never have to take your eye away from the viewfinder.
The Nikon Z7 has the same video specs as the Nikon D850 with no crop factor which is great for wide angle video, although it is possible to crop to DX mode which is better for macro video. The main difference between the Z6 and Z7 is megapixels (sensor resolution) and autofocus, with the Z7 being better at both. The video capabilities are the same, so if video is most important, the less expensive Z6 is for you and if the ability to shoot larger images is required, then the Z7 would be your choice.
Sensor | CMOS, 25 megapixels (Z6); 46 megapixels (Z7) |
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Lens | Nikon Z |
Video | 4K (30fps) |
Weight | 675g |
ISO | Auto, 100-51200 (expands to 50-204800) (Z6); 64-25600 (expands to 32-102400) (Z7) |
Burst Shooting | 9fps (Z6); 12fps (Z7) |
Special Features | Environmentally sealed, 5-axis stabilization |
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The Canon EOS R5 is Canon’s most recent challenger in the full-frame mirrorless market, particularly aimed at competing with the powerful Sony A7R IV.
Building off the popular DSLR workhorse, the Canon EOS 5D IV, the R5 inherited similarly solid ergonomics but with a bevy of new features in a mirrorless body. With a new, full-frame 45MP Dual-Pixel CMOS sensor, in-body image stabilization, 8K video recording, and fast shooting speeds, Canon has raised the bar in their commitment to high-end mirrorless cameras.
Underwater photographers will be especially pleased with the excellent resolution and dynamic range, and for motion shooters, the increased burst shooting rates.
This camera is also particularly attractive to Canon shooters looking to upgrade to a powerful full frame mirrorless body. For Canon shooters who already own Canon glass, this camera is a logical upgrade over similar models from other manufacturers like Sony or Nikon, as it can be used with EF (with an EF-RF mount adaptor) or RF mount lenses. Adapted EF lenses perform superbly in terms of autofocus on the R5.
Sensor | Full-Frame CMOS Dual-Pixel, 45 megapixels |
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Lens | Canon RF |
Video | 8K (30fps), 4k 120 fps |
Weight | 660g |
ISO | ISO 100-51200, expandable to ISO 102400 |
Burst Shooting | 12 fps mechanical, 20 fps electronic |
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Even with the advancements in technology and the introduction of mirrorless cameras, DSLR cameras still hold an important place among professional and enthusiast underwater photographers. Some say it’s the optics, some talk about sensors and others simply prefer the big camera feeling above water and end up getting housing for their topside camera. Either way, the reality is that DSLR cameras are still very popular among underwater photographers who are willing to lug this massive setup around the world, pay excess baggage fees and impress their fellow divers with their big rigs.
If you do plan to get a DSLR setup, the main things you want to look at are:
For shooters looking for great images and video, the full frame D850 does it all. Capabilities include extensive dynamic range, beautiful color and sharp detail. It shoots true full frame 4K video and has one of the fastest and most accurate autofocus systems (153 AF points and 99 cross type). It does well even at extreme ISO ranges including low light situations where even when getting an underexposed shot, details can be pulled from the black in post processing. Shooting 7 frames per second with 51 shot buffer allows you to take many images before the processor slows down to catch up. It also makes switching from video to still very easy and fast as it holds the previous settings from both.
The d850 does well in all underwater situations from lightning fast autofocus on tiny, fast moving, macro subjects to extreme detail in deep and dark ambient light situations like wreck diving. It also has some of the best 4K video capabilities in a dSLR.
Sensor | BSI-CMOS, 45 megapixels |
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Lens | Nikon F |
Video | Full frame 4K/30p |
Weight | 1005g |
ISO | Auto, 64-25600 (expands to 32-102400) |
Burst Shooting | 7fps (51 frame buffer) |
Special Features | Environmentally sealed, 151 point autofocus |
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The Canon 5D IV is a full frame, 30mp camera that shoots 4K video is known for its autofocus capabilities in video mode. This camera performs well in high ISO levels creating images with little noise and takes high quality images. The white balance in underwater settings with ambient light is one of the best on the market. Its ability to shoot live autofocus means shooters do not have to lock autofocus and refocus as the situation changes. It does have a 1.64x crop, but this can be advantageous in macro video. The Nikon d850 has a slightly higher image quality, but if video is your main concern, this camera wins.
Sensor | CMOS, 30 megapixels |
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Lens | Canon EF/EF-S |
Video | 4K/30p |
Weight | 890g |
ISO | Auto, 100-32000 (expands to 50-102400) |
Burst Shooting | 7fps (21 frame buffer) |
Special Features | Environmentally sealed, 61 point autofocus |
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The Canon SL3 is a unique camera in the dSLR space. Nicknamed “mini-dSLR”, this tiny interchangeable lens camera packs some incredible features, just like its larger counterparts, but without compromising on size.
For underwater photographers – this is perfect! We all want excellent quality but hate lugging huge gear across the world.
Thanks to the small size of the SL3, Ikelite’s engineers managed to fit it into their standard mirrorless housing which makes it easier to travel with and more affordable.
Cropped sensors are often favored by underwater photographers because the cameras are slightly smaller and lighter than full frame dSLRs and the crop factor gives extra magnification in macro photography. It allows for the use of the Tokina 10-17mm fisheye lens, which is a favorite among underwater photographers. DSLRs outcompete mirrorless cameras when it comes to fast-action photography such as big animals because autofocus is faster and this is key when you may only have one change to get the shot of a shark or dolphin.
Ikelite’s housing allows you to use all important lenses – Tokina 10-17mm and Canon 10-18mm for wide angle, Canon 60mm and Canon 100mm for macro.
Sensor | CMOS APS-C, 24.1 megapixels |
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Lens | Canon EF/EF-S |
Video | 4K / 24fps, 1080p / 60fps |
Weight | 450g including battery and card |
ISO | Auto, 100-16000 (expandable to 51200) |
Burst Shooting | 5fps |
Special Features | Fully articulating rear LCD screen |
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Choosing the best underwater camera for you might sounds like a daunting task, but remember this – it’s not the camera, but the person behind it!
With the right tool, it may be easier or faster to get good results, but in the end it’s all about improving your photography skills, deepening your understanding and knowledge of the technical terms and the artistic elements, practicing as much as you can and, most important – improving your diving skills! Great underwater photography starts from your fins and works its way up. Not the other way around.
Improving your diving skills is by far the most important thing you can do to become a better underwater photographer.
If you need help choosing the best camera for you, don’t hesitate to contact us via the online chat on the website!